Arboreal Days. Red Ceilings Press, Jan 2018.
‘In many ways, Arboreal Days reminds me of all the poetic landscapes I have loved and inhabited as a reader: Skirrid Hill by Owen Sheers, Sheffield Almanac by Pete Green and Seven Hills by Ben Dorey, to name just a few – but Bennett also does something completely new, eschewing any attempt to make that landscape feel homely or familiar in favour of its strangeness and unknowable nature. Overall, ambitious and wickedly good poetry, well worth a read.’ Amy Kinsman, Riggwelter Press
Arboreal Days featured as Publication of the Month on Atrium, Sept 2018.
Buy Arboreal Days from Red Ceilings Press
The Roadkill Cookbook. 2017.
A pamphlet of twenty poems, self-published in a small print run in 2017. The poems in this short collection navigate cities and landscapes of Europe and America, while returning to the small towns and landscapes of my childhood.
Some print copies still available, so get in touch if you’re interested in buying one.
Back With The Boys and Rewilding | Riggwelter Press, [forthcoming]
Callings and Brutalism | morphrog, January 2019
Friday. | Caught By The River, October 2018.
Lowly. | Caught By The River, September 2018.
Dry Dock. | Caught By The River, August 2018.
Bathing in Ella, Feathers, Ornithology, Plantation House, Traffic. | Bombay Literary Magazine, July 2018.
Note, A Decade, and The Library | Nutshells and Nuggets, May 2018
Bones, Chinese Lanterns, Fennel Tea, My Father Dreams of the Sea, Plant Life, Schlock. | Eunoia Review, May 2018.
Education. | Ink, Sweat and Tears, May 2018
You Know Me and Rubbernecking. | Prelude, April 2018
R’s Story and Booksellers. | London Grip, April 2018
Fist.| Unbroken, January 2018
Trees, Late Storm West Street, Spring, On Leaving, Bermondsey Spaces, Sappho On The Hill. | Underfoot, Nov 2017
Compost. | Riggwelter Press
Motes. | The Poetry Shed, Oct 2017.
Olive and Lovely Devices. | The High Window, 2017
Olfactory. | Southword, Sept 2017.
Oh and Distant Badge. | Clear Poetry 2017
Prayer For Italian Restaurants, and Meltdown Man. | Atrium 2017
Our Ghost Film. | The Open Mouse, May 2017
A Quiet Place in the Country. | Caught By The River, May 2017.
Poetics, Taxi Drivers. | Southword, 2017
Ah Odysseus, Llanwnog, Stickleback. | The Gull, January 2017.
Ride the Amazing Cobra. | Ink, Sweat and Tears, January 2017.
Definite, Spring Break, The White House. | Clear Poetry, Autumn 2016.
Formaldehyde. | Unbroken, Autumn 2016.
Blackstock Morning, Waterloo. | The High Window, Autumn 2016.
Buenos Aires, Mendoza Journey, Montevideo, Gauchos. | The Literateur, Summer 2016.
Changes. | Antiphon, Summer 2016.
Ouija Board. | Yellow Chair Review 7, 2016. |
Monkey Business, Chai. | Manchester Review 15, 2015.
Poems in Print
Clone Towns. | The Well Review [Forthcoming]
Carcassonne and The Unsaid. | Poetry Salzburg [Forthcoming]
Compost. | Under The Radar, December 2018
Mondays Are Difficult For Us All. | Brittle Star, November 2018
Driving In Snowdonia. | Eyeflash Poetry, October 2018.
The Sage. | The Journal, March, 2018.
The Neighbours. | Prole, December 2017.
Painting. | Brittle Star, November 2017.
Summer of the Realists. (Excerpt) | Strix, November 2017.
Rothko Room. | Chroma, November 2017.
The Cormorant. | Eyeflash Poetry, October 2017.
Bindweed. | Brittle Star, September, 2017.
Ambition, and Chinook. | Under the Radar, Nine Arches Press, September 2017.
Monsoon Landscape. | The Best New British and Irish Poets 2017, Eyewear Books, 2017.
Kindnesses. | Structo 17, 2017.
Harry’s Bar, La Bodega Negra. | South Bank, 2017.
Leisure Centre. | The Journal, Summer 2016.
Summer in Austerity, Chacras De Coria. | Structo 15, 2016.
Number One Haircut in Town. | The Stinging Fly, Autumn 2015.
Nomads. | Structo 13, 2015.