The website of writer and poet Daniel Bennett
It's nice to end the year with something positive, and this very kind review of West South North, North South East by Mat Riches on London Grip is certainly that. It's probably the most perceptive review of this little book to date, and certainly the most involved. 'The title of this collection suggests a journey … Continue reading London Grip Review: West South North, North South East
It's been a busy December, what with work, Christmas, and the ravages of the virus. I almost forgot that my review of Naush Sabah's ‘Heredity/ASTYNOME’ appeared on Wild Court a couple of weeks ago. 'If poetry ever had ‘must have’ purchases, then Naush Sabah’s debut release from Broken Sleep Books proved to be one of … Continue reading On ‘Heredity/ASTYNOME’ by Naush Sabah
https://www.youtube.com/embed/7kGWLtiw_F4 Here's a short interview I did with Euan Monaghan, editor of Structo magazine. We talked about genre, ambition, the influence of cinema, and how all those things contributed to the background of my poem 'The Idea Of Texas', which featured in Structo 20.
I've been a huge admirer of Robert Selby's Wild Court magazine for a while, so it's a great moment for me to have three poems featured here. Here's an excerpt from one of them, 'Two Days In The Valley': my paean to a minor nineties film and an out-of-town multiplex. Two Days in the Valley … Continue reading Wild Court
Nichola Deane has written a nice little review of my poetry collection West South North, North South East, an excerpt of which follows below. 'In West South North North South East (The High Window, 2018), Daniel Bennett's city, his London, always feels as though seen on foot, a fraction or slower than its frantic inhabitants, like playing … Continue reading All The Filthy Magic
I have three poems in the latest issue of The High Window. Here's an excerpt from one of those poems, 'The Tenants', about rootlessness and our attempts to make a life for ourselves. The Tenants They offered us vine leaves and red wineand we approved of their gestureinside the English gardenthey would never share. We … Continue reading The High Window (Autumn)
If you've never bought a copy of Structo before, I'd really recommend you give it a try. I have a poem in the forthcoming issue, and it has a special place in my heart, as it's the first magazine that published me after I returned to writing poetry again. Beautifully produced, with an imaginative range … Continue reading Structo (Issue 20)
My poem, 'The Panda', has been published in London Grip's Autumn issue. The sounds of the house begin above him,a family waking. He thinks of Stalin preferring a sofa to a presidential bed, of the ace of pentacles gleaming from the apocrypha of a bookshelf of the bottle of Cahors he drank last night,a black wine, dark as a … Continue reading London Grip Autumn 2020
I was raised in a small hamlet in the Shropshire countryside. Maybe it was the triumph of electronic media, the doomy news stories of impending nuclear war in the eighties, or all those odd invasion fantasies proliferating on television, but the natural world was never enough for me. A friend and I once conceived of an ideal community, … Continue reading Statement on Poetry
My poem 'After The Beach' is now live on Tentacular Magazine. Black rock parts the sand,sleek as porpoise finspoised for the depths or launched from prehistory.We buried ourselves here,accumulated like time or metal work, the sandshuffled out of geography.The ship on the horizon pulls us into its nets.Neither of us drew the map:here be dragons, … Continue reading Tentacular 6
